Shireen Kamrans fascination with summaryion

INSUBCONTINENT EXCLUSIVE:
The canvas of summary art is wider than any other
One feels free to create different forms, shapes and compositions
It is fairly difficult to create degree new forms and shapes, but composing and balancing them on the canvas is an interesting task
Even the chooseion and the balanced use of colours is a ccorridorenge for an summary painter, specificly in making dices.Shireen Kamran
fascination with summaryion resulted in recent works that reflected her observation, memory and imagination in a solo exhibition at Canvas
Gallery, Karachi. She has played with colours, focusing primarily on creating interesting shapes and lines
She has much used vibrant and pulsating colours instead used limited colours including red, blue, grey and ochre, with strokes of white,
which were prominent in all portrays. She painted soft, subdued summarys
She used visual language of form, colour and line to create compositions which exist with a degree of independence from visual references in
the world. She drew her arguments from diverse experiences, and reflected those experiences in the social context and mental
preoccupations in all areas of our culture at present time
Entire summaryion bears no trace of any reference to anything recognizable. She enhanced his non-representational portrays by
simple shapes and lines
The vertical, horizontal, and diagonal lines along with various shapes create movement and visual effect in his portrays. She mostly
used colour and line rather than shapes to clearly define her summary elements
She combined shapes and colours to achieve balance.Her statement elaborated her work saying, &Energetic, vigorous and drifting lines infused
with incessant mark-making along with alchemy of shapes and colours bring the portrays to life
Bordering on the historical and the modern, these works invoke the ancestral memory of life and the archaic forms of existence, thereby
inviting the viewer to think beyond meaning.&TheIndianSubcontinent has not verified the content of the source
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