INSUBCONTINENT EXCLUSIVE:
Nikon Dx series cameras welded by pros pitch-side at the World Cup.Heavily weather-sealed and constructed from tough magnesium alloy,
resolution of their sensors might not even be able to match cameras costing a third of the price, the full-frame sensors in these two
autofocus systems of both cameras means they can be capable of tracking even the most erratically moving footballer round the frame
higher resolution DSLR or two at their disposal as well, with cameras like the 30.4MP Canon EOS 5D Mark IV and 45.4MP Nikon D850 ideal for
brilliant Alpha A9 starting to be used by pros thanks to its blend of fast shooting speeds, rapid AF and silent shutter
These large pieces of glass allow photographers to fill the frame with their subject, while the large and fast maximum aperture affords them
speeds high (when combined with the excellent high ISO performance of the Canon EOS-1D X Mark II and Nikon D5), while it also means
FE 400mm f/2.8 GM OSS, its first dedicated telephoto prime lens for its full-frame range of mirrorless cameras.Supplementary lensesAs well
as a 400mm f/2.8, a second camera body is likely to have a 70-200mm f/2.8 telephoto zoom on the front
uses, from capturing those scene-setting shots of the entire stadium, to the end of the match when photographers will scramble to get the
These lenses will also be used when cameras are positioned remotely behind the posts, allowing photographers to capture a goal, even if
the other lenses her, but it can get incredibly versatile for a range of shooting conditions, and can be really handy when the action is
right in front of the photographer.Essential accessoriesShooting with a large and heavy lens like a 400mm f/2.8 means that some form of
stadium, a speedlight can be really handy when shooting player reactions at the end of the match, allowing photographers to easily freeze
Nobody wants to kneel for 90 minutes, so these allow photographers to shoot in relative comfort from a nice, low-down shooting
