Documentary chronicles history of Iran crime scene photography

INSUBCONTINENT EXCLUSIVE:
of photography occurred in Iran during the Qajar period, and a few years after its inception, it was fairly common for the Taminat Office,
Lalezar Street by the Armenian-Georgian photographer Antoin Sevruguin.Raufi, who spent four years researching his project, lamented the lack
of sources for this subject and a reluctance on the part of the police and courts to contribute to his efforts.However, Naji Honar consented
photographers and experts on crime scene photography to appear in his documentary and share their useful information about the subjects.The
film also features a number of photojournalists talking about how good crime scene photographs can help newspapers and magazines increase
the number of their readers
began new studies on crime scene photography to broaden the information I had about the subject, which has been presented in the