INSUBCONTINENT EXCLUSIVE:
Guerreiro do Divino Amor, a Swiss-Brazilian artist, has transformed the Swiss Pavilion at the 60th Venice Biennale.His provocative work
explores themes of power, identity, and supremacy
Superfictional World Atlas project while studying architecture in France and Belgium
The artist employs various media, including video projections, holograms, and sculptures.The Swiss Pavilion has been transformed into a
space reminiscent of powerful institutions
Red carpets and marble-textured wallpaper evoke the opulence of churches, banks, and luxury condominiums.A Roman goddess sculpture greets
visitors, spitting water and shooting blue lasers from its eyes
holographic opera with lyrics composed by Guerreiro himself
represent different aspects of white identity and supposed supremacy.Guerreiro do Divino Amor: Challenging Power and Identity at the Venice
BiennaleThe exhibition concludes with a courtyard installation featuring fallen Roman columns and a giant wolf sculpture.This arrangement
representing Switzerland at the Venice Biennale has been marked by experimentation and recognition
collaborative efforts with friends and fellow artists
He often incorporates their performances into his multimedia works
These projects showcase his continued exploration of identity and power structures.Through his art, Guerreiro do Divino Amor offers a
kaleidoscopic reflection of contemporary reality
He challenges viewers to reconsider established narratives and confront complex issues of identity and supremacy.His work at the Venice
Biennale stands as a testament to the power of art to provoke thought and inspire change.
